La Casa azul, locul in care mi-a venit ideea acestei colectii, locul in

care am regasit toata emotia intalnita in picturile si viata Fridei

Kahlo, si pe care am incercat sa o redau in aceste accesorii. Stilul

plin de viata, tipic mexican, culorile intense, atitudinea puternica,

toate acestea se regasesc in aceste accesorii unicat inspirate din

bijuteriile, picturile si viata Fridei Kahlo. Sper sa va bucurati la fel

de mult cat m-am bucurat si eu cand am  realizat aceasta colectie…

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                                                                         BROSA “LA PALOMA”

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                                                                  CERCEI “VIVA LA VIDA”

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                             CERCEI CU CLIPSURI “AZUL DE MI CIELO”

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                                                  COLERETA “FLORES MAGICOS”

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                                             COLERETA “TALAVERA POBLANA”

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                                                                 COLERETA “CALAVERA”

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COLIER BAZA GATULUI “EL PAVORREAL”

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Frida Kahlo (1907-1954), Mexican Painter.

From 1926 until her death, the Mexican painter Frida Kahlo

created striking, often shocking, images that reflected her

turbulent life. Kahlo was one of four daughters born to a

Hungarian-Jewish father and a mother of Spanish and

Mexican Indian descent, in the Mexico City suburb of Coyoacán. 

She did not originally plan to become an artist. A polio

survivor, at 15 Kahlo entered the premedical program

at the National Preparatory School in Mexico City.

However, this training ended three years later when

Kahlo was gravely hurt in a bus accident. She spent

over a year in bed, recovering from fractures of her

back, collarbone, and ribs, as well as a shattered pelvis

and shoulder and foot injuries. Despite more than 30

subsequent operations, Kahlo spent the rest of her life

in constant pain, finally succumbing to related complications at

age 47.

During her convalescence Kahlo had begun to paint with oils.

Her pictures, mostly self-portraits and still lifes, were deliberately

naive, filled with the bright colors and flattened forms of the

Mexican folk art she loved. At 21, Kahlo fell in love with the

Mexican muralist Diego Rivera, whose approach to art and

politics suited her own. Although he was 20 years her senior,

they were married in 1929; this stormy, passionate relationship

survived infidelities, the pressures of Rivera’s career, a divorce

and remarriage, and Kahlo’s poor health. The couple traveled

to the United States and France, where Kahlo met luminaries

from the worlds of art and politics; she had her first solo exhibition

at the Julien Levy Gallery in New York City in 1938.